The Crash-old

Nonfiction Home Art by Dominick Williams The Crash by Ashley Espinoza Inspired by Aftermath by Elane Johnson After my car slid on the ice and another car hit me. After you had said you weren’t sure you wanted to be a father. After I googled if my seven-week-old fetus could die during a low impact car accident. After I searched and searched every website for an answer. After I found out that, while pregnant, I shouldn’t go on roller coasters or horseback rides, and I shouldn’t be in a car accident either, but no websites would tell me an answer for a 15 mph car crash. After I called to ask if you had made your decision. After I learned the due date was September first. After you didn’t answer the phone, but you did answer the text– you said you hated to say it, but you couldn’t do it. After you never called ever again. After the hospital staff asked if I was sure there wasn’t a name I could put under the father section of the birth certificate. After I cried because my daughter does not have a father. After no one held me. After no one but me held my daughter when she cried in the middle of the night. After I saw you once and hid from you. After I saw your truck as I drove down the highway. After I still look for your truck even though I know you no longer drive that one. After I looked you up on Facebook. After I still look you up and stalk every post looking for an answer. After I am still single six years later and I see you on Bumble looking for something casual. After I cried for years and years and years over you. After I stopped wondering if you would ever care for my daughter. After I drove down your street to see if you still lived there, even though I would have no way of knowing that answer. After I stopped wondering if you would call and change your mind. After my daughter is all grown and probably looks like you. After she asks me to caress her arms in the same way you used to. After she looks right at me and says, “Anyway I don’t even want a dad.”

Soil and Water

Soil and Water by Angela Townsend We did not see the mermaids coming, but surprise is the prerogative of mythical creatures and Executive Vice Presidents. Ten years into fundraising for the arboretum, I thought I knew where to find all the knotholes and gnome settlements. They are mostly in Sol’s office. Sol founded New Jersey’s only arboretum for endangered trees. He tells people that he does not, “by and large,” like people, but then he sits on the floor with them when they cry. I do not think I would have lasted so long at an arboretum where people do not cry. Sol favors the forest’s urchins. This attracts a certain genus of donor. Sol calls them “toasty.” I call them “Sequoia Souls.” Sol scolds me for using the word “soul” like table salt. In the lunchroom, our gypsy moth experts and soil scientists want to recap shows about dragons or debate the merits of vegan cheese. I always have to bring up souls. I remind Sol that he poached me from my plan to become a pastor. He reminds me that my gift is convincing people they have empathy for trees. One inch into the topsoil, my blurbs are all about the understory. Sol allowed me to name our major gifts society “Sequoia Souls.” He did not love it, but the “big giant donors” might. People who donate five thousand dollars to save objectively unattractive trees deserve a name. I reminded Sol that nobody feels grown, whatever the spoor on the sides of their eyes may say. Sol reminded me that he does not, “by and large,” like people. The local gazette ran my press release, and Cornelius Wagner Jr. called to enroll as a Sequoia Soul. I should call him “Corn.” His father was born in Germany, so the Black Forest was in his blood. He would direct his foundation to send the check. He would be a Sequoia Soul. I looked up his name online. Corn was the Executive Vice President at Manatee Memories, LLC. At this news, Sol pronounced Corn “burnt to a crisp” before I could go further. I bristled. Since I was born without bark, I maintain a moderate-to-severe case of donor infatuation. Corn was already in my ventricles. Sol had to understand. Corn told me he gave his days to “feeding the ocean of joy.” Sol asked if I was planning to accept Corn’s hand in marriage. That could be good for the arboretum. I insisted Sol pull up Manatee Memories’ website. He did, then took the Lord’s name in vain. Manatee Memories is an “aquatic imaginarium.” Manatee Memories is the world’s preeminent manufacturer of biologically accurate marine mammals, designed for “compassionate thalassic play.” A solemn Corn greets you on the home page, moist eyes behind trendy glasses. “I’m Corn Wagner, and I invite you to the place where the sun meets the sea.” At this, Sol reached for his recycling bin and placed it over his head. “I’m Sol Diamond, and I have just contracted a stomach virus.” I reminded Sol that Corn was sending us five thousand dollars. Sol peeked under his blue plastic shroud and grabbed at the air. I knew this meant he wanted one of the individually wrapped pretzel rods on his desk. I knighted him with it, dropped it in his hand, and let him know Corn would be visiting for the first time on Monday. Sol spent the weekend on a scavenger hunt. He emailed me twenty-nine times. Since I was going to be a pastor, Sol knows I am never off duty. Souls call on Saturdays asking if we received their Snoopy checks for the cherry trees that do not bear fruit. They write on Sunday afternoons to tell me that their nephews died, which is a strange thing to tell the Development Director in the arboretum unless you have sat on the floor with her. I call them from my personal number. They text me pictures of their cats, and then I need to flag them in our database as my personal friends: “Do not solicit without Lizzie’s permission.” Sol suggests we name this group “The Invasive Species.” Sol knew I would be checking email as he found Corn facts. Sol has two doctorates. Sol founded an organization without rival in the deciduous sector. But when Sol writes on the weekend, he blows his cover as the boy in the backwards baseball cap. His emails to his “defrocked priest Development Director” read like graffiti. “PopCorn has too much butter.” “Corn done lost ALL his kernels.” The evidence would be embarrassing, if Corn were not a soul. Every video on the Manatee Memories website seemed to feature Corn, in various states of pathos, confessing why sea lions or belugas meant so much to him “as a human being.” He clasped the toys so tightly, it appeared he might pull the walrus wrinkles taut. He spoke about three-inch rubber baleen whales with the ecstasy usually reserved for shamanic activity. He spoke, mostly, about himself. “Whatever he’s doing is working.” I felt protective of Corn. “They are a jillion-dollar company.” “Not much competition,” Sol fired back. I shimmied up my remaining memories of Pastoral Counseling 101. “Maybe he’s doing generational repair work. His father came from a landlocked country. Corn claims the sea.” Sol had his own hypotheses. “Corn feels like a SMALL stalk. Maybe his mama invented dessert pierogi, and his papa was the bass player for a band called Untrustworthy Eyebrows. Corn wants to be BIG WHALE. Corn feels like PLANKTON.” I was tempted to remind Sol that such speculation is unbecoming of a grand soul who has repatriated thousands of trees. I was laughing too loud. There was one last message on Sunday night: “If he doesn’t bring us both a humpback, I repudiate his five thousand dollars.” Sol needn’t have worried. Corn had a briefcase of mermaids. I was not privy to this when I gave him the grand tour of the

Impermanence

Impermanence by Rebecca O’Bern The bay window opens to the north.It’s foggy out. I grab the gray, knittedsweater you bought my last birthday. The dead pull us apart so easilyas if we’re the ones wrapped in tight string,transmuted into nothing in the dark. I never used to believe in dying. No needwhen an afterlife awaits, a resurrectionsuspended in clouds and dust. Death, then, becomes a cold marathon,maybe a sprint, but somethingwith end. Something measured between existing and existing again,moon to next moon. Sleep and light.Your daughter picked up your ashes today, and as our fingertips touchedI was reminded again how I didn’t callenough before our last words diminished to smoke that always tastesof home, doesn’t it, wood stove burningevening timber. I wasn’t lying about the bay window, curtains drawnand tied back, staying put, can’t help ifsmoke plumes escape to the trees. Poetry Home Art by Keegan Baatz

Droughtgrief

Droughtgrief by Angela Williamson Everything exists within the skin on a hot night in a housepermeable by bugs, open windows begging for rain. Pricked by mosquito, I itch, specific to wrist or to the top of the thigh,or the heel of the hand, hard as armor. Nails scratch but cannot penetrate the subdermal deposit of poison. Sleep floats meas if in scalding water. Years ago, evenings like these, we chased the cows into the barn, made the water hot for their pre-milkwashing, set shoulder to flank and used rags to wipe clean the smooth skin of teat and udder. Fans sucked air out the widewindows but did not cool. Legs pasted with hay, thighs kissing, sweat dripping slick beneath my breasts, I learnedto discern relief in finger-wide strips of skin, ran hoses on my ankles, chilled my blood to pain. In the summerswithout rain the waiting hung over us like an old fashioned scythe nailed to a barn wall for nostalgia’s sake but no lessterrifying in its power to drop darkness. At stake? Bankruptcy, losing the whole damn farm. I longfor those days, when I lived without hesitation, knew the cows by touch, by shape, by the puff of breath or the swingof head, knew them by the heat they threw, the teat long or small, hot for a mouth or a hand. After milking, my fatherlay in the grass wiping away mosquitoes as swallows swooped over us, come down with the evening and what dew the skycould spare us, sipped up by the corn. I wait the sky’s cool hand to come rest on my forehead. I am lost, but for the drought,I am homeless, but for the heat and the solace of night come without rain. Poetry Home Art by Abby Miller

I’ve Lived So Long as a Dream Girl-old

I’ve Lived So Long as a Dream Girl by Jacklin Farley I’ve forgotten what it’s like to be real. Between meals, I pinch up belly fat, chubby bunny marshmallow bites sandwiched by my suspicious fingertips. I then attempt to conjure metabolism like a monsoon of China Slim Tea and sugar-free Haribo gummy bears through my blood. So it goes for those of us past the acceptable age for playing Bloody Mary and comparing thigh gaps at sleepovers. As I get older, I realize it takes velocity to exist in organic form, especially mine. One minute, my love language is sophisticated curve, peach slice dripping sweet with juice. The next, it’s an aspirin tablet dropped into a liter-sized Pepsi bottle with the cap screwed shut, transparent jugular bulging with carbonated excess seeking evaporative exodus in the snack aisle of your local Walgreens. It’s on the days I feel the emptiest that I want to explode the most, feel like I am running through a Reese’s peanut buttercup field encased by green Jell-O salad, that I want someone to unbuckle my ankle straps and call me “kitten” despite the fact I haven’t been teacup-sized since I was fourteen, despite my repressed scheming to eventually fit my fat ass back into Paris Hilton’s handbag. But if I can’t have hip dips, whipped cream on my titties, or armpit jiggle ready to embrace the lips of a saxophone player, do I even want this life? I must be eating more to have such energy to philosophize, to embrace living like a back alley duct tape Brazilian: throbbing and shameless, fleshy and blushed down to the bone in places no one else can see. It’s painful, but at least I can feel more than nerve damage in my hands, the urge to hold my coffee cup in a compactor-tight grip to register even a Celsius of warmth. Call it my own method for moderation, aftermath of disorder. Call it crème brûléeing the wound after it curdles. As long as you sing, paradox of my digestive tract. For I know one day I will cease to be cute. For all I know, today is that day pouring into my palms over my belt line, spilled pitcher of milkshake, too much love in my handles. The world can tell me I am too old to be silly or fat. It won’t stop me from molting, coming back in a different skin. For I think I am rather too young to be dead. Poetry Home Art by Winslow Schmelling

Missing You

Missing You by Dante Novario I ate the cat. It was the first Tuesdayof winter and I was missing you. Thoughtmaybe the taste of your palm print could stillbe found as it slid down but I only coughed out hairballs for weeks. I opened the dusty closet, foundyour favorite scarf, hand-sewn sweaters, slurpedthem string by string but your scent wasn’t hidingin the arm holes or collar trims. I was afraid of my mouth, the way it wouldn’t stop speakingyour name. I ate our words,the local dialect, our language of angels strippedof all definitions. Some things couldn’t be swallowed: the leftover slice of pecan pie, old photographstoo sweet to eat, the starved futurethat we once feasted upon together. I started licking door framesand floorboard cracks, gnawing on scribbled notesthat carried sacred messages likeHeaded OutWe Needed Peaches I thought I’d die from hunger. Chewedthe walls of our once-home down to their bones, stoodstill in its empty lot trying to stop my stomachfrom spewing our life back up, knowing no one would want to bear witness to such a stunning mess. I wishI had eaten you when I had the chance, kept yousomewhere safe. Is it too lateto crawl into my open mouth, remind meof spring, of what it feels like to be full? Poetry Home Art by Michael Moreth

How to Lament on a Tuesday at a Coffee Shop at 16:23 PST

How to lament on a Tuesday at a coffee shop at 16:23 PDT by Jarred Mercer I saw scenes of war that made me,held the dying child and bleeding mother,watched the man who never lived without shaking shake untilhe didn’t live. I knowthe sea’s creatures are strangled by our greedsmell the hellfire of dry leaves stripped from naked trees butmy daughter’s hugs sink in like rain in soil likesomething new will grow. I know the forcibly displaced with no homesee the erosion of my coastlinetouch the fear of generations butseals play like sea-puppies chasingtheir tales, bouncing their bellies onbulbous boulders at the same shore shaking offdespair into the deep and as I do the dishes the sun blushescherry and plum behind the house andwithout purpose laughter tickles our tongues andrattles our chest and on any given day a stranger’s smilecan save a life and sex can be good notjust a weapon and white veronicas bloom evenafter winter and someone somewhereis starting to sing. We weep on knees for centuries to learn lamentis the shape of hope. Poetry Home Art by Kateryna Bortsova