Droughtgrief
Droughtgrief by Angela Williamson Everything exists within the skin on a hot night in a housepermeable by bugs, open windows begging for rain. Pricked by mosquito, I itch, specific to wrist or to the top of the thigh,or the heel of the hand, hard as armor. Nails scratch but cannot penetrate the subdermal deposit of poison. Sleep floats meas if in scalding water. Years ago, evenings like these, we chased the cows into the barn, made the water hot for their pre-milkwashing, set shoulder to flank and used rags to wipe clean the smooth skin of teat and udder. Fans sucked air out the widewindows but did not cool. Legs pasted with hay, thighs kissing, sweat dripping slick beneath my breasts, I learnedto discern relief in finger-wide strips of skin, ran hoses on my ankles, chilled my blood to pain. In the summerswithout rain the waiting hung over us like an old fashioned scythe nailed to a barn wall for nostalgia’s sake but no lessterrifying in its power to drop darkness. At stake? Bankruptcy, losing the whole damn farm. I longfor those days, when I lived without hesitation, knew the cows by touch, by shape, by the puff of breath or the swingof head, knew them by the heat they threw, the teat long or small, hot for a mouth or a hand. After milking, my fatherlay in the grass wiping away mosquitoes as swallows swooped over us, come down with the evening and what dew the skycould spare us, sipped up by the corn. I wait the sky’s cool hand to come rest on my forehead. I am lost, but for the drought,I am homeless, but for the heat and the solace of night come without rain. Poetry Home Art by Abby Miller
I’ve Lived So Long as a Dream Girl-old
I’ve Lived So Long as a Dream Girl by Jacklin Farley I’ve forgotten what it’s like to be real. Between meals, I pinch up belly fat, chubby bunny marshmallow bites sandwiched by my suspicious fingertips. I then attempt to conjure metabolism like a monsoon of China Slim Tea and sugar-free Haribo gummy bears through my blood. So it goes for those of us past the acceptable age for playing Bloody Mary and comparing thigh gaps at sleepovers. As I get older, I realize it takes velocity to exist in organic form, especially mine. One minute, my love language is sophisticated curve, peach slice dripping sweet with juice. The next, it’s an aspirin tablet dropped into a liter-sized Pepsi bottle with the cap screwed shut, transparent jugular bulging with carbonated excess seeking evaporative exodus in the snack aisle of your local Walgreens. It’s on the days I feel the emptiest that I want to explode the most, feel like I am running through a Reese’s peanut buttercup field encased by green Jell-O salad, that I want someone to unbuckle my ankle straps and call me “kitten” despite the fact I haven’t been teacup-sized since I was fourteen, despite my repressed scheming to eventually fit my fat ass back into Paris Hilton’s handbag. But if I can’t have hip dips, whipped cream on my titties, or armpit jiggle ready to embrace the lips of a saxophone player, do I even want this life? I must be eating more to have such energy to philosophize, to embrace living like a back alley duct tape Brazilian: throbbing and shameless, fleshy and blushed down to the bone in places no one else can see. It’s painful, but at least I can feel more than nerve damage in my hands, the urge to hold my coffee cup in a compactor-tight grip to register even a Celsius of warmth. Call it my own method for moderation, aftermath of disorder. Call it crème brûléeing the wound after it curdles. As long as you sing, paradox of my digestive tract. For I know one day I will cease to be cute. For all I know, today is that day pouring into my palms over my belt line, spilled pitcher of milkshake, too much love in my handles. The world can tell me I am too old to be silly or fat. It won’t stop me from molting, coming back in a different skin. For I think I am rather too young to be dead. Poetry Home Art by Winslow Schmelling
Missing You
Missing You by Dante Novario I ate the cat. It was the first Tuesdayof winter and I was missing you. Thoughtmaybe the taste of your palm print could stillbe found as it slid down but I only coughed out hairballs for weeks. I opened the dusty closet, foundyour favorite scarf, hand-sewn sweaters, slurpedthem string by string but your scent wasn’t hidingin the arm holes or collar trims. I was afraid of my mouth, the way it wouldn’t stop speakingyour name. I ate our words,the local dialect, our language of angels strippedof all definitions. Some things couldn’t be swallowed: the leftover slice of pecan pie, old photographstoo sweet to eat, the starved futurethat we once feasted upon together. I started licking door framesand floorboard cracks, gnawing on scribbled notesthat carried sacred messages likeHeaded OutWe Needed Peaches I thought I’d die from hunger. Chewedthe walls of our once-home down to their bones, stoodstill in its empty lot trying to stop my stomachfrom spewing our life back up, knowing no one would want to bear witness to such a stunning mess. I wishI had eaten you when I had the chance, kept yousomewhere safe. Is it too lateto crawl into my open mouth, remind meof spring, of what it feels like to be full? Poetry Home Art by Michael Moreth
How to Lament on a Tuesday at a Coffee Shop at 16:23 PST
How to lament on a Tuesday at a coffee shop at 16:23 PDT by Jarred Mercer I saw scenes of war that made me,held the dying child and bleeding mother,watched the man who never lived without shaking shake untilhe didn’t live. I knowthe sea’s creatures are strangled by our greedsmell the hellfire of dry leaves stripped from naked trees butmy daughter’s hugs sink in like rain in soil likesomething new will grow. I know the forcibly displaced with no homesee the erosion of my coastlinetouch the fear of generations butseals play like sea-puppies chasingtheir tales, bouncing their bellies onbulbous boulders at the same shore shaking offdespair into the deep and as I do the dishes the sun blushescherry and plum behind the house andwithout purpose laughter tickles our tongues andrattles our chest and on any given day a stranger’s smilecan save a life and sex can be good notjust a weapon and white veronicas bloom evenafter winter and someone somewhereis starting to sing. We weep on knees for centuries to learn lamentis the shape of hope. Poetry Home Art by Kateryna Bortsova
The Body Center
Igneous lump.
A Peach Tree
Igneous lump.
Triptych: At the Massage Therapy Clinic
Igneous lump.
Contusion
Igneous lump.
Heart
Igneous lump.
when i say my father is homeless, i mean:
when I say my father is homeless, I mean: by Harley Chapman a funhouse version of himself laughing,an eclipse where his mouth should be. so smart. Just like him. he fell off the roof one Christmas& kept on falling. The snow embraced himlike the open sea swallows a sinking ship. dad vs. the State of California. I am talking about criminalities.I am talking about the act of committing a crimeas inseparable from being a criminal. my face is a long stretch of unshavenyears, stacked neatly on the tile. each implosion is entirely my fault(it is not my faultbut it is, still, entirely my fault). a portrait of god in his sunhat, shears poisedbefore an unsuspecting shoot of green. I no longer wish to be called honey,shrink from your touch. my story is changing. I cannot rememberwhat is real & what is just a name. fuck the government. Fuck the law,the police, the purse-clutchers,& every asshole with a brand-new car. an alternative phrasefor airing your dirty laundry isI have nowhere left to hide. I made a mess of it, drank myself stupid& rode that white line like a bronc. the record is stuck. A scratchy repeat:just like him. each year feels more & more like a dare. shame is a debt unpayable. Please,don’t make me explain. Poetry Home Art by Belle Dorcas